pearls of wisdom where the mind is without fear
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Rabindranath Tagore reshaped Bengali music and Indian art during the 19th and early 20th centuries. He became the first non-European to win the Nobel Prize in Literature in 1913, and he won it for his collection of verses and songs known as Gitanjali or The Song Offerings. Tagore introduced new poetry and verse forms and popularised the use of colloquial language in Bengali literature. As a result of this, Bengali literature was now freed from traditional models based on classical Sanskrit. Tagore was also instrumental in introducing the best of Indian culture to the West, and vice is generally regarded as the most outstanding creative artist of the modern Indian subcontinent.
A Pirali Brahmin from Kolkata, his family, have emigrated here from its ancestral gentry roots in Jessore. Tagore started writing poetry at the age of 8. At 16, he released his first substantial poems under the pseudonym Bhānusiṃha (meaning “SwerewereLion”), which was seized upon by literary authorities as long-lost classics. He started writing his first short stories and dramas and signing them with his birth name by 1877. As a humanist and a strident nationalist, he denounced the Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he produced a vast oeuvre comprising paintings, sketches, doodles, hundreds of texts, and some two thousand songs. His legacy also endures in the institution he founded, Visva-Bharati University.
His novels, stories, songs, and dance dramas, and s deal with both political and personal themes. Gitanjali (meaning “Song Offerings”), Gora (meaning “Fair-Faced”), and Ghare-Baire (meaning “The Home and the World“) are his best-known works. His works are held in high regard for their lyricism, colloquialism, naturalism, and unnatural contemplation. Two nations chose his compositions as national anthems: India’s Jana Gana Mana and Bangladesh’s Amar Shonar Bangla are both composed by him. The original song of Sri Lanka’s National Anthem was also written and tuned by Tagore.
In 1915, the British Crown granted Tagore a knighthood, but he renounced in protest against the 1919 Jallianwala Bagh massacre. At 60, Tagore took up drawing and painting. Successful exhibitions of his many works—which t appearance in Paris—were held throughout Europe. He was likely color-blind to red and green, resulting in works that exhibited strange color schemes and off-beat aesthetics. His artist’s eye for handwriting was revealed in the simple artistic leitmotifs embellishing the scribbles, cross-outs, and word layouts of his manuscripts.
The Bengali poem was published in 1910 as part of Tagore’s collection of poetry entitled Gitanjali. The English translation was composed by Tagore himself around 1911 when he was translating some of his work into English after a request from William Rothenstein. It appeared as poem 35 in the English Gitanjali, published by the Indian Society of London in 1912. In 1917, Tagore read out the English version (then called “Indian Prayer”) at Calcutta’s Indian National Congress session.
“Where the mind is Without Fear” by Rabindranath Tagore is one of his vastly read and discussed poems. It was originally composed in Bengali possibly in 1900 under the title “Prarthana”, meaning prayer. It appeared in the volume called ‘Naibedya’ in 1901. Later in 1911 Tagore himself translated the Bengali poem into English and that translation appeared as poem 35 in his Nobel winning anthology “Gitanjali” (Song Offerings) published by the Indian Society, London in 1912.
So when the poem was written, India was under the British Rule and people were eagerly waiting to get their freedom from the British Rule. The poem is written in the form of a prayer to the God, the Almighty for a true freedom for his country. And thus Tagore reveals his own concept of freedom throughout the poem, Where the Mind is Without Fear.
In the very first line, the poet prays to the Almighty that his countrymen should be free from any fear of oppression or forced compulsion. He wishes that everyone in his country has his head held high in dignity. In other words, according to him, in a truly free country every person should be fearless and should have a sense of self dignity.
In the second line of Where the Mind is Without Fear the poet dreams of a nation where knowledge would be free. Education should not be restricted to the upper class only but everybody should be allowed to acquire knowledge. Not only that, the children should learn freely from the nature and the world around them. They should not be forced memorize some predetermined lessons. And this is Tagore’s typical concept of education.
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